MÜNCHENER BIENNALE
FESTIVAL FÜR NEUES MUSIKTHEATER

08/05—
20/05/2026

Mineral Amnesia
Ioana Vreme Moser

“Mineral Amnesia” explores the evolution and decay of early erasable programmable memory through sound. Encapsulated under quartz windows, EPROMs, now obsolete microchips, lose data when exposed to light. The installation salvages various generations and plays them under UV light until their sounds are eroded and disappear.

“Mineral Amnesia” explores the evolution and decay of early erasable programmable memory through sound. Encapsulated under quartz windows, EPROMs, now obsolete microchips, lose data when exposed to light. The installation salvages various generations and plays them under UV light until their sounds are eroded and disappear.

The work traverses the Digital Dark Age through the lens of an obsolete device. Invented in 1971 near the birth of the microprocessor, EPROMs marked a leap in computing. Their widespread use fueled rapid technological growth, but also led to data becoming lost in old hardware bodies, now dumped to form toxic wastelands across the earth’s geological layer.

THU

14.05.
15:00
— 19:00

world premiere

FRI

15.05.
20:00
— 00:00

SAT

16.05.
12:00
— 19:00

SUN

17.05.
14:00
— 19:00

SUN

17.05.
20:00
— 22:00

Installation

Free entry

“Mineral Amnesia” explores the evolution and decay of early erasable programmable memory through sound. Encapsulated under quartz windows, EPROMs, now obsolete microchips, lose data when exposed to light. The installation salvages various generations and plays them under UV light until their sounds are eroded and disappear.

The work traverses the Digital Dark Age through the lens of an obsolete device. Invented in 1971 near the birth of the microprocessor, EPROMs marked a leap in computing. Their widespread use fueled rapid technological growth, but also led to data becoming lost in old hardware bodies, now dumped to form toxic wastelands across the earth’s geological layer.

Commissioned by:
Simultan Association (RO) and Galerie Nord (GER)

With support from:
Administration of the National Cultural Fund (RO)
Stiftung Kunstfonds, Senatsverwaltung für Kultur und Europa (GER)