MÜNCHENER BIENNALE
FESTIVAL FÜR NEUES MUSIKTHEATER

08/05—
20/05/2026

Isithunzi
MONTHATI MASEBE

‘Isithunzi’ means “dignity” in Zulu – but can also be translated as ‘spirit of death and renewal’. The idea: within each of us lies a connection to our ancestors and to a universal energy that gives rise to all life.

“Isithunzi” means ‘dignity‘ in Zulu – but can also be translated as ‘spirit of death and renewal’. The idea: within each of us lies a connection to our ancestors and to a universal energy that gives rise to all life. Based on a text by Afrofuturist author Shanice Ndlovu, composer Monthati Masebe tells the story of three protagonists searching for connections in the past and their own identities. For her first music theatre piece, she invites audiences to a cultural encounter, combining Western instruments with South African playing techniques, and takes to the stage herself as a performer of electronic soundscapes.

TUE

12.05.
20:00
— 21:00

world premiere

WED

13.05.
18:00
— 19:00
sold out

Any remaining tickets will be available at the box office

THU

14.05.
12:00
— 13:00

THU

14.05.
18:00
— 19:00
sold out

Any remaining tickets will be available at the box office

“Isithunzi” means ‘dignity‘ in Zulu – but can also be translated as ‘spirit of death and renewal’. The idea: within each of us lies a connection to our ancestors and to a universal energy that gives rise to all life. Based on a text by Afrofuturist author Shanice Ndlovu, composer Monthati Masebe tells the story of three protagonists searching for connections in the past and their own identities. For her first music theatre piece, she invites audiences to a cultural encounter, combining Western instruments with South African playing techniques, and takes to the stage herself as a performer of electronic soundscapes.

Composition, concept:

 MONTHATI MASEBE

Musical Director:

 TIM HAWKEN, ADAM ROGALA

Libretto:

 SHANICE NDLOVU

Stage direction, costume design and video:

 THERESA MARIA SCHLICHTHERLE

Stage and assistance costume design:

 MARIELLA MAIER

Choreography:

 TUMI SHARON MKHONDO

Sound design:

 DOMINIK VOCK

Light design:

 MARINA RACHNER

Dramaturgy:

 KATJA LECLERC

Outside Eye:

 JULIEN ENZANZA

Performance:

 TUMI SHARON MKHONDO

Ndalo (Soprano):

 CARMEN MIČIĆ

Thuna (Mezzo-soprano):

 CARLA NAHADI BABELEGOTO

Amu (Tenor):

 MICHAEL SATTLER

Bassoon:

 BEATRIX LINDEMANN-FRIIS

Vibraphone:

 EDZARD LOCHER

Live Electronics/Indiginous Instruments (Uqangi, Umtshingo, Chipendani, Mbira):

 MONTHATI MASEBE
Co-production by Münchener Biennale and Staatstheater Wiesbaden.
Composition & libretto commissioned by the City of Munich for the Münchener Biennale with friendly support of Gisela-Gronemeyer-Stiftung.

WED

 13.05.
19:30

THU

 14.05.
13:30

THU

 14.05.
19:30

Isithunzi: Absacker
Einstein Kultur

Im Anschluss an die Vorstellungen von „Isithunzi“ laden wir Sie noch zu einem „Absacker“ ein und schaffen Raum, um untereinander und mit den Künstler*innen ins Gespräch zu kommen.

TUE

 12.05.
19:15

WED

 13.05.
17:15

THU

 14.05.
11:15

THU

 14.05.
17:15

Isithunzi: Was gibt's?
Einstein Kultur

45 Minuten bevor der erste Ton erklingt, fragen wir gemeinsam „Was gibt’s?“ und geben Ihnen erste Einblicke in die Musiktheaterproduktion „Isithunzi“.

FRI

 15.05.
13:30
— 14:15

Archives
with Monthati Masebe and Sophie Emilie Beha
Black Box / Fat Cat

For the 20th edition of the Münchener Biennale, many composers were commissioned to consider where they are now, and together with their teams, look at what influences them and what they deem essential, given the state of the world. The result is a polyphonic panorama of new music theater works that could not be more different and yet exhibit connecting threads. The TENT-Talks open up a shared conceptual space where these different perspectives encounter each other, experts share their knowledge, and we invite you to ask questions, join in the discussion, and share your own thoughts.

Better together

Going to the theatre alone? You don't have to. We organise joint events for selected performances. After a simple registration process, we meet before the performance for a drink to get to know each other and a short introduction. A host will accompany you throughout the evening, so you'll always have someone to talk to. And it's just more fun together.

Dates and registration