Wie das flunkert
PIYAWAT LOUILARPPRASERT
Music theatre about trickery and sonic detours
Half a lie is almost true. Yes, no, not quite — well, almost. That’s almost the whole truth. The whole almost-truth. The twisted truth.
Sometimes it’s just easier to tell the truth by taking a few detours.
Half a lie is almost true. Yes, no, not quite — well, almost. That’s almost the whole truth. The whole almost-truth. The twisted truth.
Sometimes it’s just easier to tell the truth by taking a few detours. Based on Emily Dickinson’s poem “Tell all the truth but tell it slant,” Daniella Strasfogel and Piyawat Louilarpprasert develop a music theatre piece that explores how difficult — and at the same time necessary — it is to tell the truth. Together with the audience, they improvise and experiment — and in the end, entirely new, fantastic sound-truths emerge.
SAT
16.05.
SUN
17.05.
MON
18.05.
TUE
19.05.
WED
20.05.
Music theatre about trickery and sonic detours
Half a lie is almost true. Yes, no, not quite — well, almost. That’s almost the whole truth. The whole almost-truth. The twisted truth.
Sometimes it’s just easier to tell the truth by taking a few detours. Based on Emily Dickinson’s poem “Tell all the truth but tell it slant,” Daniella Strasfogel and Piyawat Louilarpprasert develop a music theatre piece that explores how difficult — and at the same time necessary — it is to tell the truth. Together with the audience, they improvise and experiment — and in the end, entirely new, fantastic sound-truths emerge.
Compositon:
PIYAWAT LOUILARPPRASERTText, concept, stage direction:
DANIELLA STRASFOGELSet and costume design:
LISA FÜTTERERDramaturgy:
KATHARINA ENGELTetra Brass:
ALJOSCHA ZIEROW, LUCA CHICHÉ, CHRISTIAN TRAUTE, JAKOB GRIMMPerformance:
ANH KIET LECo-production by Münchener Biennale and Schauburg München — Theater für junges Publikum. Composition & libretto commissioned by the City of Munich for the Münchener Biennale.
DANIELLA STRASFOGEL
Text, concept, stage direction
